When: Jan
15, 2015 - Mar 7, 2016
Contemporary
musicians and sound artists are indebted to the 19th century German physicist
Herman Helmholtz (1821-1894) who authored On the Sensations of Tone as a
Physiological Basis for the Theory of Music (1862). In the book, Helmholtz
explored the mathematical, physiological, and perception effects of sound: “We
perceive that generally, a noise is accompanied by a rapid alternation of
different kinds of sensations of sound. Think, for example, of the rattling of
a carriage over granite paving stones, the splashing or seething of a waterfall
or of the waves of the sea, the rustling of leaves in a wood.”
Artistic
disciplines examining sound have emerged since Helmholtz’s research, “the waves
of the sea” has turned into acoustic ecology that examines how sound is an
integrative principle in human and natural environments. Field recordings have
proliferated in recent years due to the availability and portability of high
quality recording equipment, enticing composers and sound artists to take their
studios to the edge of the wilds or down the street. The exhibition and two
public performance events draw together nine artists/composers whose works
poetically map sound that reflect and emerge from their interaction with the natural
environment.
0 Comments