We met the talented artist Yeowoon Kim and we asked her about her art and her vision. Enjoy the exclusive interview of Yeowoon Kim in NewYorkio.
I am currently working on a kind of
mobile work called pieces. The key idea in this work is that the pieces are
shaky, moving, and incomplete; it is the outcome of my conclusion on the most
humanistic gesture. I cut a complete rectangular frame into pieces, connecting
them again to make an imperfect frame and then cut a single picture into pieces
to be hung on fishing line, making them freely move. The title of the work is A
Piece of Something. By going through the process of collecting some of the
numerous pieces that comprise something, I recreate a piece again.
Where do you find inspiration?
In terms of form, I look into the
old masters’ work and consider their process of thinking which led to the birth
of such artworks. In doing so, my thoughts deepen and I find an answer. With
regard to content, I am inspired by watching news or listening to people’s life
stories, which can be credited to my particular interest in humanity. We can
see the raw nature of a human (goodness, evilness, how we react to a certain
situation, what kind of people are out there) in the news. On top of that, good
music enriches my artistic sensibilities.
What is your dream project?
I would like to produce work that
can contribute to art presenting new thoughts and forms through profound
thinking.
Is the artistic life lonely?
It is so in my case. I feel a whole
lot of different feelings for things that others normally overlook, to the
extent that I cannot fall asleep. And sometimes, people around me don’t
sympathize with what I think about. Feeling lonely is inevitable until you make
something that others understand.
What are your goals for the future,
both work wise and life?
Right now, my goal is to further
develop the pieces series. And I wish to have a solo exhibition after a long
hiatus. My bigger dream is to provoke this cold modern society a little through
my work. To do so, I should be able to create good work. Life wise, I would
like to study art and make work abroad to have diverse experiences
It’s A Piece of Chaewon, a work that
consists of dozens of moments from my two years old daughter’s selfies. I
collected more than twenty selfies of her and made them into a piece. This is
the first completed work from the pieces series, while the idea of the project
was still being conceived. These numerous moving pieces of photograph
sculptures suggest a feeling somewhat different from that of (still) portraits.
Website: www.yeowoonkim.com
Short CV
Born in 1983, Seoul, Korea
EDUCATION
2007, BFA in Painting, Seoul
National University
SELECTED EXHIBITIONS
2010-2015
Group Show, The Voice of the Artist,
SCOPE Art Fair, Miami
Solo Show, Life of Circle Art Space,
Hong Kong
Group Show, IYAP-Society of the
Spectacle, Interalia, Seoul
Solo Show, Lotte Gallery, Ilsan
Group Show, Dream of Butterfly,
Gwangju Museum of Art, Gwangju
Group Show, Korea Tomorrow, SETEC
Hall no.3, Seoul
Solo Show, Gallery EM, Seoul
2007-2010
Group Show, AIR, Artist Talk &
Walk, Prairie Center of the Arts, IL
Open Studio, AIR, Woodstock
Byrdcliffe Guild, NY
Artist Statement
I would like to define the essence
of a human being as ‘imperfection’ and express it visually. Unlike a square,
mechanical painting on a flat surface reminiscent of a paused computer screen,
the work is in an imperfect form (inefficient, mechanically speaking, and not
easily replaceable), precarious, and freely moving, the aspects of which I
think are an image more natural to the reality. When looking at an object,
humans cannot make out a perfect image in the first place due to a blind spot,
hence it is in fact impossible to conjure up a single definite image in one’s
mind.
I cut the complete form of a
rectangular frame and connect the pieces to make an imperfect shape, and I
weave a net with fishing line within the frame. Based on the shape I gained
through this process, I cut the images into pieces like a puzzle and hang the
fragmented images from the frame with fishing line as if the images fell from
it. Since the image pieces are fixed with minimum force, they can be stirred
even by a mild breath or a gesture. This is a living movement different from
continuous still images in a movie. My work is a process of collecting pieces
of certain objects and of recreating them into another fragmented piece. The
completed piece implies imperfection; in other words, the presence of other
piece.
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