Towards Catastrophe German and Austrian Art of the 1930s

Neue Galerie New York, Museum for German and Austrian Art  UPPER EAST SIDE | NEW YORK | USA
FEBRUARY 22, 2018-MAY 28, 2018
On February 22, 2018, Neue Galerie New York will present "Towards Catastrophe: German and Austrian Art of the 1930s," an exhibition devoted to the development of the arts in Germany and Austria during a decade marked by economic crisis, political disintegration, and social chaos. The Neue Galerie is the sole venue for the exhibition, which will be on view through May 28, 2018.
The exhibition is organized by Dr. Olaf Peters, University Professor at Martin-Luther-Universität Halle-Wittenberg, and serves as the third show in a trilogy of exhibitions curated by Peters that focus on German history. The first of these three shows, “Degenerate Art: The Attack on Modern Art in Nazi Germany 1937” organized in 2014, examined the infamous traveling exhibition “Entartete Kunst” mounted by the National Socialist regime. The exhibition was an enormously popular and critical success. The second show, “Berlin Metropolis: 1918-1933” on view in 2015, explored the critical role played by the city of Berlin in the growth of modern culture. Pandiscio Green is the designer of the exhibition and catalogue for “Towards Catastrophe,” and can also be credited for the inventive installations for the previous two shows in this trilogy.
This exhibition, comprised of nearly 150 paintings and works on paper, will trace the many routes traveled by German and Austrian artists and will demonstrate the artistic developments that foreshadowed, reflected, and accompanied the beginning of World War II. Central topics of the exhibition will be the reaction of the artists towards their historical circumstances, the development of style with regard to the appropriation of various artistic idioms, the personal fate of artists, and major political events that shaped the era.
The show assembles key works by leading artists such as Max Beckmann, Otto Dix, Max Ernst, Oskar Kokoschka, and Alfred Kubin, and artists less familiar to audiences in the United States including Friedl Dicker-Brandeis, Albert Paris Gütersloh, Karl Hubbuch, Richard Oelze, Franz Sedlacek, Josef Scharl, and Rudolf Wacker, who will each be represented by small groups of significant works. Among the important loans to the exhibition will be Max Beckmann's "Bird Hell" from 1937-38, Oskar Kokoschka's "Portrait of Thomas G. Masaryk" from 1935-36, and Richard Oelze's uncanny “Expectation" from 1935-36. The exhibition will also feature photographic portraits by Helmar Lerski and August Sander.


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